“The Intercultural Challenge of the ‘Mangaesque’: Reorienting Manga Studies after 3/11,” in Manga’s Cultural Crossroads, o-ed. with Bettina Kümmerling-Meibauer, London: Routledge, 2013, pp. 65–84.
Tag: chapter
Book Chapter: ‘Asian Graphic Narratives’ and Manga
[dt.] ‘Deutschland’ im Manga
(2011) “»Deutschland« im Manga, ein parodistisches Terrain” [‘Germany’ in Manga, a terrain of parody], in Ferne Gefährten: 150 Jahre deutsch-japanische Beziehungen, ed. by Peter Pantzer et.al., Reiss-Engelhorn-Museum Mannheim, Regensburg: Schnell & Steiner, pp. 290–294
[Jp. Übersetzung durch KIGAWA Hiromi in Nichidoku kōryū 150nen no kiseki, ed. by Nichidoku kōryūshi henshū iinkai, Tokyo: Yūshōdō shoten, 2013].
[dt.] Manga Museal
(2011)_“Manga museal, oder: Wer legitimiert wen?” [Manga as Museum Art, or: What legitimizes what?] in Comic: Intermedialität und Legitimität eines popkulturellen Mediums [Comics: Intermediality and Legitimacy of a Pop-Cultural Medium], ed. by Thomas Becker, Essen & Bochum: Ch. A. Bachmann Verlag, pp. 177–192.
Book Chapter: »Japanimation« und Anime (in German)
“Zeichentrick-Japanisch: »Japanimation« und Anime,” in Japan-Lesebuch IV: J-culture, ed. by Steffi Richter & J. Berndt, Tübingen: konkursbuch Verlag Claudia Gehrke, 2008, pp. 48–70.
Book Chapter: Nationally naked?
“Nationally naked? The female nude in Japanese oil paintings and posters (1890s-1920s),” in Doris Croissant, Joshua Mostow & Catherine Yeh, eds, New Gender Constructs in Literature, the Visual and the Performing Arts of Modern China and Japan (1880s to 1930s), Leiden: Brill Academic Publishers, 2008, pp. 307-345
Book Chapter: Byobu (Folding Screens) as Tableau (in German)
„Kunsthistorisch entfaltet: Japanische Stellschirme als „Tableau““, in Barbara Lange (Hrsg.): Visualisierte Körperkonzepte, Berlin: Georg Reimer Verlag 2007, S. 49-66
Book: Reading Manga (2006)
Reading Manga: Local and Global Perceptions of Japanese Comics, co-ed. with Steffi Richter, Leipzig: Leipzig University Press, 2006.
Including individually authored Introduction and individual chapter “‘Adult’ Manga: Maruo Suehiro’s historically ambiguous comics,” pp. 107–125.
Book: 『マン美研』 (2002)
Man-bi-ken: Manga no bi/gakuteki jigen e no sekkin [Towards an Aesthetics of Comics], Kyoto: Daigo shobō.
Introduction, pp. i–xv, and individual chapter “Tenji sareru manga: bijutsukan ni okeru manga no «bigaku»” [Exhibiting manga: The ‘Aesthetics’ of comics in the art museum], pp. 159–191.
Book chapter: Manga & “Art” (2001)
“Permeability and Othering: The Relevance of »Art« in Contemporary Japanese Manga Discourse,” in Critical Perspectives on Twentieth Century Japanese Thought, ed. by Livia Monnet, Montréal University Press 2001, pp. 349–375; https://books.openedition.org/pum/19887?lang=en