Mechademia 12.2 (spring), 2020, 83–101.
(special issue “Asian Materialities,” guest-edited by Stevie Suan).
in Spaces Between – Gender, Diversity and Identity in Comics, ed. by Verónique Sina & Nina Eckhoff-Heindl, Wiesbaden: Springer VS, 2020, pp. 175–186.
in Comic Art in Museums, edited by Kim Munson, University Press of Mississippi, 2020, pp. 178–191.
in Japanese Media and Popular Culture: An Open-Access Digital Initiative of the University of Tokyo, ed. by Jason G. Karlin, Patrick W. Galbraith and Shunsuke Nozawa [3,000 words]
2020/03_“Design als Konzept? Zum Sinn und Zweck von Manga-Ausstellungen,” in “Ran an die Wand, rein in die Vitrine?” Internationale Positionen zum Ausstellen von Comics in der pädagogischen und musealen Praxis, edited by Anna Maria Loffredo & Barbara M. Eggert, München: kopaed, S. 98–108.
[cancelled due to corona crisis: conference at Kunstuniversität Linz, March 2020]
in Shōjo Across Media: Exploring “Girl” Practices in Contemporary Japan, co-ed. with Kazumi Nagaike & Fusami Ogi, Palgrave Macmillan, 2019, pp. 1–21.
Cover illustration: Li Yanfeng/NANAJO.
“Hand in Hand: Kouno Fumiyo’s Manga series Kono sekai no katasumi ni (In This corner of the World) and its Anime Adaptation by Katabuchi Sunao],” in Ästhetik des Gemachten: Interdisziplinäre Beiträge zur Animations- und Comicforschung [The Aesthetics of Craftedness: Interdisciplinary Contributions to Animation and Comics Research], ed. by Backe, Hans-Joachim; Eckel, Julia; Feyersinger, Erwin; Sina, Véronique; Thon, Jan-Noël, Berlin: deGruyter, pp. 53–84.
Open Access via https://www.degruyter.com/.
Published in Science meets Comics: Proceedings of the Symposium on “Communicating and Designing the Future of Food in the Anthropocene”, ed. by Alexandra Hamann, Jens Kirstein, Reinhold Leinfelder & Marc Schleunitz, Berlin: Ch. A. Bachmann Verlag, pp. 41–59.Print & Web. [ISBN 978-3-941030-92-3].
Information on the conference on Stockholm University’s website
6 September – 8 September 2018 at Stockholm University.
In 2018 Sweden and Japan celebrate the 150th anniversary of diplomatic relations. This occasion provides an exceptional opportunity to reconceptualize the study of Japanese culture in a way which meets the requirements of an increasingly networked and digitalized world. Our conference seeks to do that with a Media Studies approach that entwines the technological, social and aesthetic, and acknowledges the importance of everyday practices by non-elite actors. The objective is to revisit the potential and limitations of a privileged academic focus on “area,” in the sense of geopolitics (Japan) as well as subject matter (comics/manga), and to place greater emphasis on mediation in the broadest sense, including ways of how to operate Japan-related expertise as contemporary humanities-based research.
The conference focuses on three aspects:
(1) “Japan as Mangaesque,” related to the highly mediatized nature of contemporary Japanese culture, i.e. its media ecology, highlighting global and local mediations rather than national branding;
(2) “Manga Pedagogy,” applying the mediatic perspective to methodologies of Manga Studies within university programs and academic scholarship; and
(3) “Manga as Comics,” foregrounding media specifity in relation to comics and thereby extending the scope of Manga Studies beyond that of a primarily Japan-related field.
Proceedings available online:
“Reflections: Writing Comics into Art History in Contemporary Japan,” Konsthistorisk Tidskrift/Swedish Journal of Art History, December 2016, pp. 1–8. http://dx.doi.org/10.1080/00233609.2016.1259658