in Japanese Media and Popular Culture: An Open-Access Digital Initiative of the University of Tokyo, ed. by Jason G. Karlin, Patrick W. Galbraith and Shunsuke Nozawa [3,000 words]
https://jmpc-utokyo.com/keyword/mangaesque/
Category: Visual Arts
“Design als Konzept? Zum Sinn und Zweck von Manga-Ausstellungen”
in “Ran an die Wand, rein in die Vitrine?” Internationale Positionen zum Ausstellen von Comics in der pädagogischen und musealen Praxis, edited by Anna Maria Loffredo & Barbara M. Eggert, München: kopaed, 2020, S. 98–108.
[cancelled due to corona crisis: conference at Kunstuniversität Linz, March 2020]
“Pictures that Come to Life: The Hokusai Manga”
in Hokusai (exh. cat., ed. by Wayne Crothers), National Gallery of Victoria, Melbourne, 2017, pp. 21–27.
“Writing Manga into Japanese Art History”
“Reflections: Writing Comics into Art History in Contemporary Japan,” Konsthistorisk Tidskrift/Swedish Journal of Art History, December 2016, pp. 1–8. http://dx.doi.org/10.1080/00233609.2016.1259658
Journal: 『美術フォーラム21』特集「漫画とマンガ、そして芸術」
guest-ed., special issue “Manga to manga, soshite geijutsu” [Manga, comics, and art], Bijutsu Forum 21, no. 24 (November), pp. 20–136.
Introduction and individual article “»Muimi« no »kaidoku«—Gendai manga kara mita Murakami Takashi no kaiga” [‘Deciphering’ the ‘nonsense’—Murakami Takashi’s paintings seen from the perspective of contemporary manga], 132–136.
Book Chapter: Nationally naked?
“Nationally naked? The female nude in Japanese oil paintings and posters (1890s-1920s),” in Doris Croissant, Joshua Mostow & Catherine Yeh, eds, New Gender Constructs in Literature, the Visual and the Performing Arts of Modern China and Japan (1880s to 1930s), Leiden: Brill Academic Publishers, 2008, pp. 307-345
Book Chapter: Byobu (Folding Screens) as Tableau (in German)
„Kunsthistorisch entfaltet: Japanische Stellschirme als „Tableau““, in Barbara Lange (Hrsg.): Visualisierte Körperkonzepte, Berlin: Georg Reimer Verlag 2007, S. 49-66
Book: 『マン美研』 (2002)
Man-bi-ken: Manga no bi/gakuteki jigen e no sekkin [Towards an Aesthetics of Comics], Kyoto: Daigo shobō.
Introduction, pp. i–xv, and individual chapter “Tenji sareru manga: bijutsukan ni okeru manga no «bigaku»” [Exhibiting manga: The ‘Aesthetics’ of comics in the art museum], pp. 159–191.
Book chapter: Manga & “Art” (2001)
“Permeability and Othering: The Relevance of »Art« in Contemporary Japanese Manga Discourse,” in Critical Perspectives on Twentieth Century Japanese Thought, ed. by Livia Monnet, Montréal University Press 2001, pp. 349–375; https://books.openedition.org/pum/19887?lang=en