Visual Arts

“Geister im Gitter: Anke Feuchtenbergers Kyoto-„Manga“” (2023)

(7/17/2024)

Exhibition: Manga – Reading the FLOW/ Erzählen im Manga (2021)

(8/31/2021)

Curation. Realized in collaboration with Christina Plaka, Koo Bonwon, and Khanh Trinh.

“Mangaesque” (web)

(5/18/2020)

in Japanese Media and Popular Culture: An Open-Access Digital Initiative of the University of Tokyo, ed. by Jason G. Karlin, Patrick W. Galbraith and Shunsuke Nozawa [3,000 words]
https://jmpc-utokyo.com/keyword/mangaesque/

“Design als Konzept? Zum Sinn und Zweck von Manga-Ausstellungen” (2020)

(3/31/2020)

in “Ran an die Wand, rein in die Vitrine?” Internationale Positionen zum Ausstellen von Comics in der pädagogischen und musealen Praxis, edited by Anna Maria Loffredo & Barbara M. Eggert, München: kopaed, 2020, S. 98–108.

[cancelled due to corona crisis: conference at Kunstuniversität Linz, March 2020]

“Pictures that Come to Life: The Hokusai Manga” (2017)

(5/1/2017)

“Writing Manga into Japanese Art History” (2016)

(12/1/2016)

Book: Manga – Medium, Art, and Material (2015)

(2/25/2015)

Jaqueline Berndt, Manga: Medium, Art, and Material, Leipzig UP 2015 (collected articles, partly in German). Cover illustration: Christina Plaka.

Contents
ch.1_Teaching Manga Studies: The Case of KSU’s Graduate School
ch. 2_[in German] Traditionsbezüge: „Manga“, Bildrollen und Hokusai Manga
ch. 3_Historical Adventures of a Posthistorical Medium: Japan’s Wartime Past as Represented in Manga
ch.4_Takemiya Keiko: Mangaka with an educational mission
ch.5_[in German] Genji-Manga: Das „Asakiyumemishi“ im wissenschaftlichen Diskurs
ch. 6_Manga as “Literature”: Adaptations of Crime and Punishment in Japanese Comics (1953-2010)
ch. 7_Images to be “Read”: Murakami Takashi’s mangaesque paintings
ch.8_[in German] »Deutschland« im Manga: Ein parodistisches Terrain
ch.9_Magazines and Books: Changes in the Manga Market (co-authored with Enno Berndt)

“Images to Be ‘Read’: Murakami Takashi’s Mangaesque Nihonga-like Paintings” (2012)

(8/15/2012)

in Art of Japan, Japanisms and Polish-Japanese Art Relations, ed. by Agnieszka Kluczewska-Wójcik & Jerzy Malinowski, Torun: Polish Institute of World Art Studies & Tako Publ., pp. 321–325.

Special Issue『美術フォーラム21』特集「漫画とマンガ、そして芸術」(2011)

(11/25/2011)

guest-ed., special issue “Manga to manga, soshite geijutsu” [Manga, comics, and art], Bijutsu Forum 21, no. 24 (November), pp. 20–136.
Introduction and individual article “»Muimi« no »kaidoku«—Gendai manga kara mita Murakami Takashi no kaiga” [‘Deciphering’ the ‘nonsense’—Murakami Takashi’s paintings seen from the perspective of contemporary manga], 132–136.

“Nationally naked? The female nude in Japanese oil paintings and posters (1890s-1920s)” (2008)

(8/1/2008)

In: Doris Croissant, Joshua Mostow & Catherine Yeh, eds, New Gender Constructs in Literature, the Visual and the Performing Arts of Modern China and Japan (1880s to 1930s), Leiden: Brill Academic Publishers, 2008, pp. 307-345