Manga: Reading the FLOW/ Erzählen im Manga


9 September 2021 – 30 January 2022, Museum Rietberg Zürich, accompanying the art-historical exhibition Love, Fight, Feast – Dynamics in Japanese Narrative Art

Curation. Realized in collaboration with Christina Plaka, Koo Bonwon, and Khanh Trinh.

“Collapsing Boundaries: Mangaesque Paths Beyond MAUS”


In: Beyond MAUS. The Legacy of Holocaust Comics, ed. by Ole Frahm, Hans-Joachim Hahn and Markus Streb, Wien: Vandenhoeck & Ruprecht, 2021, pp. 169–192.

“Von der privaten Sammlung zur nationalen Datenbank: Mangaarchive in Japan”


In: Comics und Archive, hrsg. v. Anna Stemmann und Felix Giesa, Berlin: Christian A. Bachmann Verlag 2021, pp. 97–112.

Review: Manga マンガ (, The British Museum, 2019)


Print Quarterly, xxxvii, 4, 2020, 483–485.

“Conjoined by Hand: Aesthetic Materiality in Kouno Fumiyo’s Manga In this corner of the world”


Mechademia 12.2 (spring), 2020, 83–101.
(special issue “Asian Materialities,” guest-edited by Stevie Suan).
DOI: 10.5749/mech.12.2.0083

“Manga Aging: Grannies and Gutters”


in Spaces Between – Gender, Diversity and Identity in Comics, ed. by Verónique Sina & Nina Eckhoff-Heindl, Wiesbaden: Springer VS, 2020, pp. 175–186.

“Deviating from ‘Art’: Japanese Manga Exhibitions 1990–2015”


in Comic Art in Museums, edited by Kim Munson, University Press of Mississippi, 2020, pp. 178–191.

“Mangaesque” (web)


in Japanese Media and Popular Culture: An Open-Access Digital Initiative of the University of Tokyo, ed. by Jason G. Karlin, Patrick W. Galbraith and Shunsuke Nozawa [3,000 words]

“Design als Konzept? Zum Sinn und Zweck von Manga-Ausstellungen”


in “Ran an die Wand, rein in die Vitrine?” Internationale Positionen zum Ausstellen von Comics in der pädagogischen und musealen Praxis, edited by Anna Maria Loffredo & Barbara M. Eggert, München: kopaed, 2020, S. 98–108.

[cancelled due to corona crisis: conference at Kunstuniversität Linz, March 2020]

Book: Introduction – Shōjo Mediations


in Shōjo Across Media: Exploring “Girl” Practices in Contemporary Japan, co-ed. with Kazumi Nagaike & Fusami Ogi, Palgrave Macmillan, 2019, pp. 1–21.
Cover illustration: Li Yanfeng/NANAJO.