Exhibition
9 September 2021 – 30 January 2022, Museum Rietberg Zürich, accompanying the art-historical exhibition Love, Fight, Feast – Dynamics in Japanese Narrative Art
https://rietberg.ch/en/exhibitions/manga_en
Curation. Realized in collaboration with Christina Plaka, Koo Bonwon, and Khanh Trinh.
in Hokusai (exh. cat., ed. by Wayne Crothers), National Gallery of Victoria, Melbourne, 2017, pp. 21–27.
“Reflections: Writing Comics into Art History in Contemporary Japan,” Konsthistorisk Tidskrift/Swedish Journal of Art History, December 2016, pp. 1–8. http://dx.doi.org/10.1080/00233609.2016.1259658
2016_“Drawing, Reading, Sharing: A guide to the Manga Hokusai Manga Exhibition,” booklet published on the occasion of the world traveling exhibition Manga Hokusai Manga: Approaching the Master’s Compendium from the Perspective of Contemporary Comics, by The Japan Foundation
guest-ed., special issue “Manga to manga, soshite geijutsu” [Manga, comics, and art], Bijutsu Forum 21, no. 24 (November), pp. 20–136.
Introduction and individual article “»Muimi« no »kaidoku«—Gendai manga kara mita Murakami Takashi no kaiga” [‘Deciphering’ the ‘nonsense’—Murakami Takashi’s paintings seen from the perspective of contemporary manga], 132–136.
“Nationally naked? The female nude in Japanese oil paintings and posters (1890s-1920s),” in Doris Croissant, Joshua Mostow & Catherine Yeh, eds, New Gender Constructs in Literature, the Visual and the Performing Arts of Modern China and Japan (1880s to 1930s), Leiden: Brill Academic Publishers, 2008, pp. 307-345
„Kunsthistorisch entfaltet: Japanische Stellschirme als „Tableau““, in Barbara Lange (Hrsg.): Visualisierte Körperkonzepte, Berlin: Georg Reimer Verlag 2007, S. 49-66
“Permeability and Othering: The Relevance of »Art« in Contemporary Japanese Manga Discourse,” in Critical Perspectives on Twentieth Century Japanese Thought, ed. by Livia Monnet, Montréal University Press 2001, pp. 349–375; https://books.openedition.org/pum/19887?lang=en
