Exhibition
9 September 2021 – 30 January 2022, Museum Rietberg Zürich, accompanying the art-historical exhibition Love, Fight, Feast – Dynamics in Japanese Narrative Art
https://rietberg.ch/en/exhibitions/manga_en
Curation. Realized in collaboration with Christina Plaka, Koo Bonwon, and Khanh Trinh.
In: Beyond MAUS. The Legacy of Holocaust Comics, ed. by Ole Frahm, Hans-Joachim Hahn and Markus Streb, Wien: Vandenhoeck & Ruprecht, 2021, pp. 169–192.
in The Bloomsbury Handbook to Posthumanism, edited by Mads Rosendahl Thomsen and Jacob Wamberg, London: Bloomsbury Academic, 2020, pp. 403–414.
in Spaces Between – Gender, Diversity and Identity in Comics, ed. by Verónique Sina & Nina Eckhoff-Heindl, Wiesbaden: Springer VS, 2020, pp. 175–186.
in Comic Art in Museums, edited by Kim Munson, University Press of Mississippi, 2020, pp. 178–191.
Published in Science meets Comics: Proceedings of the Symposium on “Communicating and Designing the Future of Food in the Anthropocene”, ed. by Alexandra Hamann, Jens Kirstein, Reinhold Leinfelder & Marc Schleunitz, Berlin: Ch. A. Bachmann Verlag, pp. 41–59.Print & Web. [ISBN 978-3-941030-92-3].
in Japanese Civilization in the 21st Century, ed. by Andrew Targowski, Juri Abe, Hisanori Katō, New York: Nova Science Publishers, 2016, pp. 121–133.
“Shōjo manga kara mita GIRL: Sono Nihon de no juyō o sayū suru mediascape to minzokusei hyōgen [GIRL as shōjo manga: Mediascape and conventions for representing ethnicity swaying its reception in Japan],” in Josei manga kenkyū [Women’s Manga Studies], ed. by Ōgi Fusami, Tokyo: Seikyūsha, 2015, pp. 84–105.
「 少女マンガから見た『GIRL』：その日本での受容を左右するメディアスケープと民族性表現」、大房房美編『女性マンガ研究：欧米・日本・アジアをつなぐMANGA』青弓社、2015年
in Drawing New Color Lines: Transnational Asian American Graphic Narratives, ed. by Monica Chiu, Hong Kong University Press, 2014, pp. 257–278.
