in Shōjo Across Media: Exploring “Girl” Practices in Contemporary Japan, co-ed. with Kazumi Nagaike & Fusami Ogi, Palgrave Macmillan, 2019, pp. 1–21.
Cover illustration: Li Yanfeng/NANAJO.
Published in Special Issue “Manga Culture and Critique,” Kritika Kultura, a refereed electronic journal of literary/cultural and language studies, Ateneo de Manila University, No. 26, March, pp. 166–178. http://journals.ateneo.edu/ojs/kk/article/view/2243
ed., Nihon manga to “Nihon”: Kaigai no sho komikkusu bunka o shitajiki ni (Kokusai manga kenkyū 4) [Japanese manga and “Japan,” seen from the perspective of the respective comics cultures abroad] [Global Manga Studies, 4]. Introduction [individually authored], Kyoto: International Manga Research Center, 2014. Print & Web. http://imrc.jp/lecture/2012/06/4.html
(Proceedings of International Conference coorganized by Kobe University and Kyoto Seika University, June 2012)
co-ed., Nikkan manga kenkyū (Kokusai manga kenkyū 3) [Studies in Japanese manga and Korean manhwa, Global Manga Studies, vol. 3], co-ed. with Yamanaka Chie and Leem Hye Jeong, Kyoto: International Manga Research Center, 2013. Introduction [individually authored], pp. 1–9. Print & Web. http://imrc.jp/lecture/2011/10/3.html
Jaqueline Berndt, ed., Manhwa, Manga, Manhua: East Asian Comics Studies, Leipzig UP 2012. Cover Illustration: Sookyung Yoo.
[mostly bilingual English and Japanese]
Introduction, pp. 7–9, and individual chapter “Manga x Museum in Contemporary Japan,” pp. 141–150.
Intercultural Crossovers, Transcultural Flows: Manga/Comics (Global Manga Studies, vol. 2), Kyoto: International Manga Research Center, 2011. Introduction [individually authored], pp. 1–8. Print & Web. http://imrc.jp/lecture/2010/11/2.html
guest-ed., special issue “Manga to manga, soshite geijutsu” [Manga, comics, and art], Bijutsu Forum 21, no. 24 (November), pp. 20–136.
Introduction and individual article “»Muimi« no »kaidoku«—Gendai manga kara mita Murakami Takashi no kaiga” [‘Deciphering’ the ‘nonsense’—Murakami Takashi’s paintings seen from the perspective of contemporary manga], 132–136.
Sekai no komikkusu to komikkusu no sekai/Comics Worlds and the World of Comics (Global Manga Studies, vol. 1; bilingual edition, English & Japanese), Kyoto: International Manga Research Center, 2010. Introduction, pp. 5–15. Print & Web. http://imrc.jp/lecture/2009/12/comics-in-the-world.html
(Proceedings of International Conference held at Kyoto International Manga Museum, December 2009.)
Reading Manga: Local and Global Perceptions of Japanese Comics, co-ed. with Steffi Richter, Leipzig: Leipzig University Press, 2006.
Including individually authored Introduction and individual chapter “‘Adult’ Manga: Maruo Suehiro’s historically ambiguous comics,” pp. 107–125.
Man-bi-ken: Manga no bi/gakuteki jigen e no sekkin [Towards an Aesthetics of Comics], Kyoto: Daigo shobō.
Introduction, pp. i–xv, and individual chapter “Tenji sareru manga: bijutsukan ni okeru manga no «bigaku»” [Exhibiting manga: The ‘Aesthetics’ of comics in the art museum], pp. 159–191.