Information on the conference on Stockholm University’s website
6 September – 8 September 2018 at Stockholm University.
In 2018 Sweden and Japan celebrate the 150th anniversary of diplomatic relations. This occasion provides an exceptional opportunity to reconceptualize the study of Japanese culture in a way which meets the requirements of an increasingly networked and digitalized world. Our conference seeks to do that with a Media Studies approach that entwines the technological, social and aesthetic, and acknowledges the importance of everyday practices by non-elite actors. The objective is to revisit the potential and limitations of a privileged academic focus on “area,” in the sense of geopolitics (Japan) as well as subject matter (comics/manga), and to place greater emphasis on mediation in the broadest sense, including ways of how to operate Japan-related expertise as contemporary humanities-based research.
The conference focuses on three aspects:
(1) “Japan as Mangaesque,” related to the highly mediatized nature of contemporary Japanese culture, i.e. its media ecology, highlighting global and local mediations rather than national branding;
(2) “Manga Pedagogy,” applying the mediatic perspective to methodologies of Manga Studies within university programs and academic scholarship; and
(3) “Manga as Comics,” foregrounding media specifity in relation to comics and thereby extending the scope of Manga Studies beyond that of a primarily Japan-related field.
Proceedings available online:
Ambivalence of Monstrosity: Understanding Godzilla after Fukushima
5 September 2018 16:00 – 18:00 (Stockholm University, Kräftriket 4, Aulan)
Abstract & Bio-blurb link
19 May – 9 Juni 2018
Summaries of the yomihon narratives and some other captions:
“Reflections: Writing Comics into Art History in Contemporary Japan,” Konsthistorisk Tidskrift/Swedish Journal of Art History, December 2016, pp. 1–8. http://dx.doi.org/10.1080/00233609.2016.1259658
“Manga, which Manga? Publication Formats, Genres, Users,” in Japanese Civilization in the 21st Century, ed. by Andrew Targowski, Juri Abe, Hisanori Katō, New York: Nova Science Publishers, 2016, pp. 121–133.
2016_“Drawing, Reading, Sharing: A guide to the Manga Hokusai Manga Exhibition,” booklet published on the occasion of the world traveling exhibition Manga Hokusai Manga: Approaching the Master’s Compendium from the Perspective of Contemporary Comics, by The Japan Foundation
in Proceedings from the 2016 NAJAKS Conference at Stockholm University: Japanese Studies Volume, co-ed. by Jaqueline Berndt & Gunnar Jinmei Linder, ORIENTALISKA STUDIER #147, pp. 143–169. Print & Web.
Published in Special Issue “Manga Culture and Critique,” Kritika Kultura, a refereed electronic journal of literary/cultural and language studies, Ateneo de Manila University, No. 26, March, pp. 166–178. http://journals.ateneo.edu/ojs/kk/article/view/2243
“Shōjo manga kara mita GIRL: Sono Nihon de no juyō o sayū suru mediascape to minzokusei hyōgen [GIRL as shōjo manga: Mediascape and conventions for representing ethnicity swaying its reception in Japan],” in Josei manga kenkyū [Women’s Manga Studies], ed. by Ōgi Fusami, Tokyo: Seikyūsha, 2015, pp. 84–105.
Jaqueline Berndt, Manga: Medium, Art, and Material, Leipzig UP 2015 (collected articles, partly in German)
ch.1_Teaching Manga Studies: The Case of KSU’s Graduate School
ch. 2_[in German] Traditionsbezüge: „Manga“, Bildrollen und Hokusai Manga
ch. 3_Historical Adventures of a Posthistorical Medium: Japan’s Wartime Past as Represented in Manga
ch.4_Takemiya Keiko: Mangaka with an educational mission
ch.5_[in German] Genji-Manga: Das „Asakiyumemishi“ im wissenschaftlichen Diskurs
ch. 6_Manga as “Literature”: Adaptations of Crime and Punishment in Japanese Comics (1953-2010)
ch. 7_Images to be “Read”: Murakami Takashi’s mangaesque paintings
ch.8_[in German] »Deutschland« im Manga: Ein parodistisches Terrain
ch.9_Magazines and Books: Changes in the Manga Market (co-authored with Enno Berndt)