“Nationally naked? The female nude in Japanese oil paintings and posters (1890s-1920s),” in Doris Croissant, Joshua Mostow & Catherine Yeh, eds, New Gender Constructs in Literature, the Visual and the Performing Arts of Modern China and Japan (1880s to 1930s), Leiden: Brill Academic Publishers, 2008, pp. 307-345
Reading Manga: Local and Global Perceptions of Japanese Comics, co-ed. with Steffi Richter, Leipzig: Leipzig University Press, 2006.
Including individually authored Introduction and individual chapter “‘Adult’ Manga: Maruo Suehiro’s historically ambiguous comics,” pp. 107–125.
Man-bi-ken: Manga no bi/gakuteki jigen e no sekkin [Towards an Aesthetics of Comics], Kyoto: Daigo shobō.
Introduction, pp. i–xv, and individual chapter “Tenji sareru manga: bijutsukan ni okeru manga no «bigaku»” [Exhibiting manga: The ‘Aesthetics’ of comics in the art museum], pp. 159–191.
“Permeability and Othering: The Relevance of »Art« in Contemporary Japanese Manga Discourse,” in Critical Perspectives on Twentieth Century Japanese Thought, ed. by Livia Monnet, Montréal University Press 2001, pp. 349–375; https://books.openedition.org/pum/19887?lang=en
Phänomen Manga: Comic-Kultur in Japan, Berlin: edition q 1995
[Spanish trans. El Fenomeno Manga, Barcelona: Ediciones Martinez Roca 1996].
Manga no kuni nippon: Nihon no taishū bunka, shikaku bunka no kanōsei [Japan, the country of manga: On popular culture, visual culture and comics in Japan], transl. by Satō Kazuo and Mizuno Kazuhiko, Tokyo: Kadensha, 1994/2007.