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Jaqueline Berndt

manga studies, anime aesthetics, ‘media arts’ japan

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Tags

  • aesthetics
  • Angoulême
  • Anime
  • art history
  • art museum
  • book review
  • chibi
  • collaboration
  • comics
  • critique
  • deutsch
  • discourse
  • Edo
  • exhibition
  • gender
  • graphic history
  • graphic narrative
  • graphic novel
  • history
  • Hokusai
  • Iberomanga
  • Japanese
  • Japanese studies
  • josei manga
  • Korea
  • manga
  • mangaesque
  • manga genres
  • manga history
  • manhwa
  • media form
  • media history
  • Murakami Takashi
  • museum
  • narrative
  • Niigata University
  • nuclear
  • Okazaki Kyoko
  • open access
  • painting
  • posters
  • shojo
  • Taiwan comics
  • Vilem Flusser
  • visual arts

Recent Posts

  • “Mangaforschung: Zwischen ,Populärkultur‘ und Comicspezifik” (2024)
  • “Exhibiting Manga, Representing ‘Japan’” (2024)
  • The Cambridge Companion to Manga and Anime (2024)
  • Taiwan Comics: History, Status, and Manga Influx 1930s – 1990s (2024)
  • “Kusazōshi as Comic Books?” (2024)
  • “Geschichte der Animation: Anime in Japan” (2023)
  • “Geister im Gitter: Anke Feuchtenbergers Kyoto-„Manga“” (2023)

“Manga museal, oder: Wer legitimiert wen?” (2011)

[Manga as Museum Art, or: What legitimizes what?]. In: Comic: Intermedialität und Legitimität eines popkulturellen Mediums [Comics: Intermediality and Legitimacy of a Pop-Cultural Medium], ed. by Thomas Becker, Essen & Bochum: Ch. A. Bachmann Verlag, S. 177–192.

2011.JB_.DT_.MuseumDownload

Posted on 28 February 201117 July 2024Author JaquelineCategories book chapter, Manga, PublicationTags deutsch, exhibition, manga, museum

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Previous Previous post: Book:『国際マンガ研究』/Global Manga Studies, vol. 1 (2010)
Next Next post: Special Issue『美術フォーラム21』特集「漫画とマンガ、そして芸術」(2011)
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