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Jaqueline Berndt

manga studies, anime aesthetics, ‘media arts’ japan

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Tags

  • aesthetics
  • Angoulême
  • Anime
  • art history
  • art museum
  • book review
  • chibi
  • collaboration
  • comics
  • critique
  • deutsch
  • discourse
  • Edo
  • exhibition
  • gender
  • graphic history
  • graphic narrative
  • graphic novel
  • history
  • Hokusai
  • Iberomanga
  • Japanese
  • Japanese studies
  • josei manga
  • Korea
  • manga
  • mangaesque
  • manga genres
  • manga history
  • manhwa
  • media form
  • media history
  • Murakami Takashi
  • museum
  • narrative
  • Niigata University
  • nuclear
  • Okazaki Kyoko
  • open access
  • painting
  • posters
  • shojo
  • Taiwan comics
  • Vilem Flusser
  • visual arts

Recent Posts

  • “Mangaforschung: Zwischen ,Populärkultur‘ und Comicspezifik” (2024)
  • “Exhibiting Manga, Representing ‘Japan’” (2024)
  • The Cambridge Companion to Manga and Anime (2024)
  • Taiwan Comics: History, Status, and Manga Influx 1930s – 1990s (2024)
  • “Kusazōshi as Comic Books?” (2024)
  • “Geschichte der Animation: Anime in Japan” (2023)
  • “Geister im Gitter: Anke Feuchtenbergers Kyoto-„Manga“” (2023)

“Nationally naked? The female nude in Japanese oil paintings and posters (1890s-1920s)” (2008)

In: Doris Croissant, Joshua Mostow & Catherine Yeh, eds, New Gender Constructs in Literature, the Visual and the Performing Arts of Modern China and Japan (1880s to 1930s), Leiden: Brill Academic Publishers, 2008, pp. 307-345

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Posted on 1 August 200815 August 2024Author JaquelineCategories book chapter, Publication, Visual ArtsTags art history, nude, painting, posters

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