in Japanese Media and Popular Culture: An Open-Access Digital Initiative of the University of Tokyo, ed. by Jason G. Karlin, Patrick W. Galbraith and Shunsuke Nozawa [3,000 words]
in “Ran an die Wand, rein in die Vitrine?” Internationale Positionen zum Ausstellen von Comics in der pädagogischen und musealen Praxis, edited by Anna Maria Loffredo & Barbara M. Eggert, München: kopaed, 2020, S. 98–108.
[cancelled due to corona crisis: conference at Kunstuniversität Linz, March 2020]
in Hokusai (exh. cat., ed. by Wayne Crothers), National Gallery of Victoria, Melbourne, 2017, pp. 21–27.
guest-ed., special issue “Manga to manga, soshite geijutsu” [Manga, comics, and art], Bijutsu Forum 21, no. 24 (November), pp. 20–136.
Introduction and individual article “»Muimi« no »kaidoku«—Gendai manga kara mita Murakami Takashi no kaiga” [‘Deciphering’ the ‘nonsense’—Murakami Takashi’s paintings seen from the perspective of contemporary manga], 132–136.
“Nationally naked? The female nude in Japanese oil paintings and posters (1890s-1920s),” in Doris Croissant, Joshua Mostow & Catherine Yeh, eds, New Gender Constructs in Literature, the Visual and the Performing Arts of Modern China and Japan (1880s to 1930s), Leiden: Brill Academic Publishers, 2008, pp. 307-345
Man-bi-ken: Manga no bi/gakuteki jigen e no sekkin [Towards an Aesthetics of Comics], Kyoto: Daigo shobō.
Introduction, pp. i–xv, and individual chapter “Tenji sareru manga: bijutsukan ni okeru manga no «bigaku»” [Exhibiting manga: The ‘Aesthetics’ of comics in the art museum], pp. 159–191.
“Permeability and Othering: The Relevance of »Art« in Contemporary Japanese Manga Discourse,” in Critical Perspectives on Twentieth Century Japanese Thought, ed. by Livia Monnet, Montréal University Press 2001, pp. 349–375; https://books.openedition.org/pum/19887?lang=en